Dance? Fight?

There are a lot of analogies thrown out in relation to Jiu-Jitsu.

Some are trying to illustrate a point, such as one I recently heard that Jiu-Jitsu is like baking.

If you are making cookies, you can’t force things. You can’t use muscle to make the recipe better. You have to put in the appropriate amount of each ingredient. The baking itself will take time, and you shouldn’t try and rush it. You can’t decide that you want it to happen twice as fast, so you crank it up from 300 degrees up to 600, and expect things to work out.

A fun picture to ponder.

Sometimes an analogy is trying to illustrate things by finding similarities between activities, and extrapolate others. I find this type to be more enlightening.

I have my own take on the sometimes stated comparison between Jiu-Jitsu and dance. Just what similarities are there, really.

I contend that Jiu-Jitsu shares many characteristics with ballroom dance in particular.

Just how can you be a great dance partner? Do you force your partner around? If you do, then you are a truly horrible dancer. Nobody watching will want to dance like you do.

Do you decide to move whenever you want, or should you follow the rhythm that you are being presented with? If they are playing a waltz, and you insist on doing a cha-cha, you will not look good. If you do try and follow the music, and you insist on missing the timing, your dance will be absurd.

Let’s say you like to dance by picking up small partners, and physically moving them around, pushing them and sometimes just lifting them about. Perhaps you can have some ugly form of “success” with that, but what happens when you end up with a partner as large as yourself, or even bigger. Maybe they won’t like being pushed, and you might just pop out a hernia attempting to hoist them into the air.

If your dancing won’t work with every size of partner, there is something seriously wrong with it.

There is another cool secret about the ballroom/Jiu-Jitsu comparison.

The lead in dance is normally a male partner. They get to spend the entire time deciding what moves the couple will perform, and when, and where they will go, and who gets to walk backwards or forwards. That is not what a Jiu-Jitsu person should be doing.

Let’s say you want to get an arm bar to submit your opponent, his hands are not in an ideal location for you to get that move, so you struggle and strain to try and get everything to where you want it. Of course, he is resisting what you are up to, making you work even harder, but you want that arm bar and keep working. You get so focused that you missed about a million other things that presented themselves during all that effort and struggle.

The follower in ball room is usually a woman. She doesn’t get to decide on what happens in the dance at all. She has to sense her partner’s intentions, and conform to them totally. Her partner is supposed to give clear indicators, but even if he doesn’t she has to move as if he has.

We’ve been dancing for a lot longer than I’ve been doing Jiu-Jitsu, and I still have no idea how my wife does it. I pick the moves, and do my best to give her the correct signals, but it doesn’t seem to matter; she is always there...in front of me...flawlessly. She even lets her mind wander while doing this magic trick, and sometimes asks me what type of dance we’re doing, as she is perfectly performing it.

In Jiu-Jitsu, one should strive to be like the following partner in dance. You should be not the one who decides how your partner will be submitted; they are.

If they present a kimura, do that. If it’s an arm bar, fine. Collar choke, triangle, leg lock; if they present it, you will take it. Instead of picking something, and trying to make that happen, you respond, as if following in a waltz. You suspect an arm bar, and move appropriately, they counter, and rather than wasting effort to try and force things you switch to what they are currently presenting. Not only are you more likely to succeed, but will do so with far less effort and energy consumption.

If you want to see all of this executed perfectly, watch the fights of Royce Gracie in UFC 1 through UFC 4.

You will see the smallest competitor burning his way through the events doing exactly what I’ve just described, at least in the first two events. In UFC 1 there were 8 competitors, and in UFC 2 there were 16, and nobody could handle Royce Gracie.

In UFC 3, there was again a field of 8 fighters, but Royce only fought once. His opponent was bigger and stronger and fought like a crazy man. Royce broke all the rules about energy conservation and tried to take his opponent out early by forcing the action. Eventually, he caught him, but not before he totally exhausted himself. He won the match, but was unable to continue in the tournament.

Returning in UFC 4, Royce fought as a perfect Jiu-Jitsu student once more. Again there were 8 competitors. In the final match, Royce faced wrestler Dan Severn. Royce weight about 175 pounds, while Severn was up around 250. Almost immediately Royce was on his back, with Severn wrapped up in his guard. For almost 16 minutes, that’s where it stayed. Severn drove is crushing weight down on the smaller man, apparently in total control. If Royce had tried to get out from under, he would have failed, and would have exhausted himself. He held on, struggling under that power, waiting for Severn to decide how he wanted to lose. Suddenly, it was there, and Royce shot in a triangle, forcing Severn to tap out, or to pass out.

In those 4 events, Royce won every match when he moved like a female ballroom dancer, and had to retire after the single match when he dared to take the lead.

Yet another reason to want to fight like a girl. All you have to be able to do is to dance like one, too.